A Study of the Transvestite(s) Demasculinized in Alfred, Lord Tennyson’s “The Princess”
Abstract
This paper is divided into two sections. The first section touches upon the transformation of the male protagonists into women via cross-dressing – its implied meaning and meaninglessness, the discourse of transcendence taking flight from masculinity and its overall connotations. The second section argues why such an action of re-masculinizing serves nothing more than achieve an ultimate obscure deferral of the de-masculinized male, taking the female under its wings in the process.
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References
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