The Biographical and Psycho-Social Underpinnings of Tennessee Williams’ Characterisation in A Streetcar Named Desire

  • Shirsh Sanstuti
Keywords: Modernism, identity, tennessee williams, american literature

Abstract

Thomas Lanier Williams III, or better known by his Pen name, Tennessee Williams, was one of the most prominent American playwrights during the 20th century. Having written over 25 major plays throughout his lifetime, perhaps what stands out the most in those plays is the unclouded depiction of the contemporary American coming to terms with a society that was witnessing its belief systems eroding away during a time characterised by mass violence of the world wars, cold wars, and stood at the brink of what we call ‘modernisation’.

This paper attempts to explicate a further understanding of the inspiration and sources that drove Tennessee’s characterisation in his critically acclaimed play titled A Streetcar Named Desire, wherein the representation of his cultural and psychological outlook has been subjected to multifaceted interpretations.

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Author Biography

Shirsh Sanstuti

Shirsh Sanstuti is a NET qualified, Master’s graduate in English literature from Delhi University.

References

1. Blackwell, Louise. “Tennessee Williams and the Predicament of Women.” South Atlantic Bulletin, vol. 35, no. 2, Mar. 1970, p. 9, https://doi.org/10.2307/3197002.
2. Gassner, John. “Tennessee Williams: Dramatist of Frustration.” College English, vol. 10, no. 1, Oct. 1948, p. 1, https://doi.org/10.2307/372063. Accessed 29 Oct. 2020.
3. Williams. Tennessee. A Streetcar Named Desire. New Directions Books, 1947.
Published
2024-02-27
How to Cite
Sanstuti, S. “The Biographical and Psycho-Social Underpinnings of Tennessee Williams’ Characterisation in A Streetcar Named Desire”. Contemporary Literary Review India, Vol. 11, no. 1, Feb. 2024, pp. 56-61, https://literaryjournal.in/index.php/clri/article/view/1329.
Section
Research Papers