Truth Claims In Confessional Poetry

An Excavation into Spiritual Truth

  • Sayani Mukherjee
Keywords: Confessional, therapeutic, truth, poetry

Abstract

With the publication of Robert Lowell’s “ Life Studies” written for the “ Nation” in 1959 the history of poetic outlets took a swerve and marked as an intense breakthrough (as Plath stated in an interview) against the established, academic, classical channel of poetic tradition of Pound and Eliot and shifted “ towards the personal mode; from the impersonal mode there came a shift towards the personal mode; from the outer wasteland to the wasteland within” in post war America. It was M.L.Rosenthal who first used the term “confessional” while reviewing Lowell’s “ Life Studies” entitled “Poetry as Confession” labelling this autobiographical body of writing as direct, therapeutic and unflinchingly truthful making a sharp departure from the earlier classical stance of complex symbolism and formal language which later came into surface for dealing sensitive and taboo topics such as personal trauma, domestic violence, strained marital relationships coupled with pregnancy and abortion. With an intense probing into the inner self of the highly sensitive persona that found its concretization in the words of Robert Lowell, Theodore Roethke, Anne Sexton, W.D.Snodgrass and Sylvia Plath, this confessional poetry emerged as a breakthrough from the shackles of earlier tradition.

Downloads

Download data is not yet available.

Author Biography

Sayani Mukherjee

Sayani Mukherjee is a budding writer and a researcher, hailing from Chandannagar, a former French colony in West Bengal. She got her undergraduate degree in English literature from University of Calcutta. She has done her post graduation in English literature from Banaras Hindu University, Varanasi. Recently her creative writing has been published in the literary magazine of her current alma mater and various international and national magazines and journals.

References

1. Gray, Richard. A History of American literature. 2nd ed., vol. 3, Wiley- Blackwell. 2004, pp. 587-591.
2. Abbas, S.Z. “Sylvia Plath, the Well-Bred Malaise, and its Confession in ‘Daddy.” Rupkatha journal on Interdisciplinary Studies in Humanities, vol. 11, no. 2, 2019, pp. 1-20.https://dx.doi.org/10.21659/rupkatha.v11n3.01
3. Uroff, M.D. “Sylvia Plath and Confessional Poetry: A reconsideration..” The Iowa Review, vol. 8, no. 1, 1977, pp. 104-115, Accessed 16 June 2014.http://www.jstor.org/stable/20158710
4. Lerner, Laurence. “What is Confessional Poetry?.” Critical Quarterly, vol. 29, no. 2.
5. Schetrumpf, Tegan Jane. “Dimished but Never Dismissed: The Confessional Poetry of Sylvia Plath and Bruce Beaver..” Wayne State University Press, vol. 29, no. 1, 2015, pp. 117-127, Accessed 19 Sep. 2016.
6. Gill, Jo. The Cambridge Introduction to Sylvia Plath. 2008th ed., Cambridge University Press, 2008, pp. 21-23.
7. Sen, Krishna. A Short History Of American Literature. 1st ed., vol. 1, Orient Blackswan Private Limited, 2017, pp. 219-221.
Published
2023-05-31
How to Cite
Mukherjee, S. “Truth Claims In Confessional Poetry”. Contemporary Literary Review India, Vol. 10, no. 2, May 2023, pp. 114-40, https://literaryjournal.in/index.php/clri/article/view/1226.
Section
Research Papers